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    <loc>https://madeleine-kennedy.com/blog/2018/8/19/dphil-at-oxford-university</loc>
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    <lastmod>2018-08-19</lastmod>
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    <lastmod>2023-04-22</lastmod>
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      <image:title>Exhibitions</image:title>
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      <image:title>Exhibitions</image:title>
      <image:caption>Image description: A view of two artworks in a white cube gallery space: in the foreground, a semi-figurative work on paper resembling a face in the process of transformation, pressed between glass in a freestanding clean-lined black metal structure; on the wall in the background, a painting in an ornate gold frame of a man in a business suit screaming, seemingly himself contained in a diaphanous cube-like structure. The work in the foreground is from the 2008-9 ‘Morphia’ series by Ellen Gallagher, and the work in the background is Francis Bacon’s 1952 ‘Study for a Portrait’.</image:caption>
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      <image:title>Exhibitions - Linder Sterling, Diagram of Love: Marriage of Eyes, installed in Exploding Collage.</image:title>
      <image:caption>Image description: The tapered end of a serpentine swathe of fabric is suspended 3 metres in the air, the rest of its length coiling down to rest on a low mirrored plinth, casting long winding shadows on the gallery floor all around it. The pattern on the fabric features occasional motifs of big blue eyes with long tufts of blue thread for their eyelashes. A small collage just visible in the background – tiny by comparison – echoes its silhouette.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Image description: In a public square in a city centre, with tall trees in the foreground and people and buses passing by in the background, sits a pavilion made of white wood anchored in concrete blocks which double as seats. Mostly open to the elements, three sides of the pavilion are partially enclosed by articulated metal sheets – one in red, one in yellow, and one in light blue – on which are pasted vintage exhibition posters. A man in a hat stands inside the structure, and the roof slats cast a long striped shadow on the floor in front of it.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Image description: An installation photograph of the architectural commission 'Gathering', showing a corner of the gallery in which a cave-like structure made out of elegant wooden struts and stretched canvas is waiting to accommodate new artist commissions. To the left is a large custom-made table with a matching bench.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Image description: A man sits in a wooden chair with his back to the camera, wearing a VR headset. In front of him in the physical gallery is a freestanding wall with a window and a painting of a still-life, a few tables with houseplants on, and some speakers and a DJ deck. Unbeknownst to us, the VR headset is showing the seated visitor an abstracted digital avatar of the room in front of him.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Image description: A series of paintings of different shapes and sizes play across the surface of a wall: all unframed and sharing the same visual palette of iridescently pale curves and circles. Beneath the largest central canvas in the middle of the wall, an arrangement of curved shapes made of board congregate along the skirting board, with tiny round paintings balanced atop them.</image:caption>
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    <loc>https://madeleine-kennedy.com/publications</loc>
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    <lastmod>2023-04-22</lastmod>
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      <image:title>Publications</image:title>
      <image:caption>Image description: The headline and lead image of an article called ‘Expansive Presentations’ in Aesthetica magazine. The image show an unidentifiable woman in a red dress, wearing one glove that is embroidered with red thread in the shape of the veins and capillaries of a hand. She is gently touching a chequerboard table, upon which sits a semi-figurative sculpture, a camera, and two elaborate shells.</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Image description: The front cover of a large book covered in off-white canvas, featuring an extremely finely rendered digital 3D point-cloud image of mountainous terrain in an array of white, grey and blue tones on a black background. The title embossed at the top of the page reads ‘Mapping the Limits of Space: Dan Holdsworth’.</image:caption>
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  <url>
    <loc>https://madeleine-kennedy.com/about</loc>
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    <lastmod>2023-04-18</lastmod>
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    <loc>https://madeleine-kennedy.com/contact</loc>
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    <lastmod>2021-06-13</lastmod>
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